Paul gilroy jewels brought bondage

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PAUL GILROY - JEWELS BROUGHT FROM BONDAGE.pdf

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Debates over modernity and its end have largely ignored music, which is odd because the public use of culture has increasingly been comprised of musical expression. Music has helped to keep the terrors of slavery alive and cultivated in social forms. The terrors were unspeakable but not inexpressible and painful expression of such oppression still expresses the volatile core of Afro-Atlantic cultural creation. These forms are western and modern but are also something more because they contain a double quality and are unsteadily located inside and outside conventions and aesthetic rules. Music should enjoy a higher status due to its ability to express the idea of the will of the slave. Slaves often used music to express their pain Browse all BookRags Study Guides.
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Paul Gilroy - Jewels Brought From Bondage.pdf

Gilroy is interested in the doubleness of cultural forms and relates these ideas to black music. Since slaves were denied access to the written word, music was one of the few modes of cultural expression made available to them, and is therefore seen as reflecting the slave experience. Gilroy then looks at the particular example of black culture and music in the United Kingdom.
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